We don't need crystal balls to foretell our future — issue #28

We don't need crystal balls to foretell our future — issue #28

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For most of us, the future is a scary place. We're on a one-way ticket there, but we don't know where we're headed—or when we'll reach our station. It's unknowable by definition, and it's unnerving. I'll be the first to admit that I spend way too much time thinking about this. 

Of course,  we can make some good guesses—though that isn't always comforting. The sun will likely rise tomorrow (yay!). Singapore should get early afternoon showers for the rest of the year from the inter-monsoon period (depends; do you like rain?). I'll likely cook pasta for dinner (again).

And if global emissions do not plummet in the next decade...well, the IPCC has much to say about this. Essentially, we're toast. I've been reading The Future You, a book about the future written by a professional futurist (yep, that's a real job). In it, Brian David Johnson makes two important points:

1. Sensational stories about the future sell. Making people fear the "inevitable" is often great for business—but it can make people feel powerless to change that future.
2. We all play a part in producing the future we want—which means it isn't fixed.

Creating the future starts with what we tell ourselves about it. From myths and legends to the social media posts on your phone, stories anchor us in communities and conversations. Our actions only make sense when they're part of a tale.

It's why we often end our stories with calls to action, or challenge what might otherwise be a familiar story. Here at Kontinentalist, Asia is one of the world's great forces today, and the stories we tell now may very well become truths tomorrow.

Where do you think we're headed? Where do you want to go? Let us know—the world will only be richer for it.

a memoji of kenneth
Stories header
what does global warming spell for different generations? will pictures of different generation coloured by climate stripes
Climate change might still seem to some like a distant future, but this piece serves some hard truths on how it will affect coming generations. Southeast Asia is heating up, and things are about to get much, much worse.
a photo of skyscrapers at night
Smart cities boasting tech-driven sustainability are popping up all over Asia. But can they truly escape the problems of the old metropolis? 
an illustration of a healthcare worker showing people through the maze. She's holding a light in the dark maze to lead the way.
The COVID-19 pandemic has gripped the world, while another deadly virus lurks in the shadows. Without stronger action to beat this invisible disease, Hepatitis C will become the epidemic we could have seen coming, but didn't act on
Announcements header
We'll be speaking at The Wrangler, a (free!) virtual two-day training series organised by The Brown Institute this Sunday. Our front-end tech lead Aishah and data visualization designer Bianchi will be sharing their tools and expertise in mapping for communication and investigation. Reserve your place here.
an illustration of a squirrel drawing the words, tomorrow’s worth saving for, for POSB Bank Kids’ saving account. The trivia is as follows: If you were a student during the ’80s and ’90s, chances are your first bankbook had POSB’s mascot, Smiley Squirrel, on it. Chosen for the animal’s habit of storing food for rainy days, the national bank was part of the Ministry of Finance’s plan to encourage saving as a habit for the young nation, as well as to use the repository to pay for Singapore’s infrastructure projects. Posters featuring the prudent squirrel in the ’80s had taglines such as, “Invest In Your Future. Save Now”, and “Save Now Save Wisely. It Is Wise To Save Early And Earn Yourself A Pocketful Of Interest For The Future”.
Medium header
An illustration of a house layout, with the story title: tips on creating illustrative visualizations
When we talk about storytelling, what comes to mind is usually text-based—story arcs, character, and dialogue. Our multimedia designer Griselda shows you how to apply storytelling principles to your next illustrative visualization
an image of Ashris Choudhury, India in Pixels creator and software engineer.
"All these experiences made me realise that you need to have an integrated story about yourself. Because if you don't, then people will choose the story for you—and just place you as a character in that."

Our interview with Ashris drops so many of these gems. Through India in Pixels, Ashris finds a world of connection—to India, his own life, and others, who learn about aspects of India through his visualizations. Do yourself a favour and add this interview to your reading list
Links header
↘︎ Lena Forsén lives in a digital Groundhog day, where an image of her from a 1972 Playbook magazine issue is immortalised as a standard test image despite her opposition. As intrusion into our personal data becomes easier, how do we prevent more such cautionary tales from developing? 

↘︎ No other show has so reliably predicted (America's) future as The Simpsons (R.I.P. Paul the Octopus), and Seffana Mohamed-Ajaz has brought the receipts.  

↘︎ Create otherworldly graphics with these experimental web-based creative tools by creator Grant (@GrantCluster), in his Constraint Systems collection. 

↘︎ Presented as an interactive book, the Probable Futures project invites its readers to sit with the content, as it gently unpacks research on climate change, with input from climate scientists. 

↘︎ The next time you need placeholder text for your project, check out text generator Feminipsum, an alternative to Lorum Ipsum. Conceived by art director Luiza Lopes and creative copywriter Vitória Ferrari, the text is designed to address the sexism prevalent in advertising circles. 
↘︎ Lena Forsén lives in a digital Groundhog day, where an image of her from a 1972 Playbook magazine issue is immortalised as a standard test image despite her opposition.




↘︎ No other show has so reliably predicted (America's) future as The Simpsons (R.I.P. Paul the Octopus), and Seffana Mohamed-Ajaz has brought the receipts.  

↘︎ Create otherworldly graphics with these experimental web-based creative



↘︎ Presented as an interactive book, the Probable Futures project invites its readers to sit with the content, as it gently unpacks research on climate change, with input from climate scientists. 

↘︎ The next time you need placeholder text for your project, check out text generator Feminipsum, an alternative to Lorum Ipsum. Conceived by art director Luiza Lopes and creative copywriter Vitória Ferrari, the text is designed to address the sexism prevalent in advertising circles. 
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